Edward Addeo

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  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Emma_Pilkington (8).tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Emma_Pilkington (22).tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Emma_Pilkington (14).tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    _DSC2861.tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Emma_Pilkington.tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Emma_Pilkington (11).tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Armfield_Rchmnd (4).tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Armfield_Rchmnd (20).tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    Armfield_Rchmnd (17).tif
  • Farrow & Ball is a leader in the luxury paint and wallpaper market, catering to top designers and discerning homeowners who seek the finest quality products to adorn their walls. Offering a unique historical color palette, stunning depth of color, great coverage and a wide choice of finishes, Farrow & Ball products are found in many of the world's most exclusive properties. In Farrow & Ball: The Art of Color,Photographed by Edward Addeo, Brian Coleman hosts a tour of cottages, castles, lofts and beyond that illustrate how paint and wallpaper are paramount to a room's overall design and feel. Visually stunning interiors and inspiring color schemes reveal how to build cohesive, stylish rooms by using furnishings and fabrics that blend with and accent the walls
    _DSC3044.tif
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0308.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
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  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0221.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0430.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0425.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0354.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0144.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0126.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0098.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0072.JPG
  • Fire Island New York, Long Island Ocean Beaches Fire Island, Great South Bay and Ocean Beaches Long Island New York
    DSCN0067.JPG
  • Fire Island, Great South Bay and Ocean Beaches Long Island New York
    Ruth&Carol2.jpg
  • Fire Island, Great South Bay and Ocean Beaches Long Island New York
    Ruth&Carol.jpg
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGallery_Interior2263.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGallery_Interior2203.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGardenPNL_DSC1708.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGardenPNL_DSC1703.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGallery_Interior2278.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGallery_Interior2238.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGallery_Interior2234.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGallery_Interior2219.tif
  • Bunny opened her own interior design company, Bunny Williams Incorporated, in 1988 after twenty-two years with the venerable decorating firm, Parish-Hadley Associates. Schooled in the classics, restraint and appropriateness are hallmarks of Bunny's style. Objects, patterns, textures and colors, beautifully balanced, have an appealing undisciplined look -- the direct result of great focus and meticulous planning. Bunny Williams' passion for design extends beyond interiors into the garden. Bunny co-owns Treillage Ltd., a garden furniture and ornament shop in New York, with antiques dealer John Rosselli.
    FORPRINTGallery_Interior1.tif
  • Barns Return To Earth Barns Return To Earth
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  • Barns Return To Earth
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  • Barns Return To Earth
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  • Barns Return To Earth
    Peter's Auction House.psd
  • Barns Return To Earth Barns Return To Earth
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  • Barns Return To Earth Barns Return To Earth
    _DSC7396_.tif
  • Barns Return To Earth
    DSCF4535-2.psd
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9385.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9691.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9677.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9649t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9616_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9553t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9501_2_tonemapped_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9491_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9421.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9399.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9398.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9354.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9687.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9681t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9677_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9670t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9657_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9657.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9646.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9644t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9636_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9636.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9627_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9627.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9619_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9619.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9616.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9579_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9579.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9570t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9520_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9520.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9518_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9518.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9517_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9517.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9501t_1Finl.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9501t_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9501t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9501_2t.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9501_2_tonemapped.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9498_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9498.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9497.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9489_91.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9486.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9399_1.jpg
  • St.John the Divine in New York City, Dean Morton, <br />
the leader of the Cathedral at that time, wanted to create a new generation of <br />
stone masons in order to resume progress on this enormous, unfinished stone <br />
building whose construction had been suspended when World War II broke <br />
out.
    _DSC9392.jpg
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